{"title":"J.J. Johnson","description":null,"products":[{"product_id":"jay-jay-johnson-the-eminent-jay-jay-johnson-vol-1","title":"The Eminent Jay Jay Johnson, Vol. 1","description":"\u003cp\u003ePosaunist J. J. Johnson griff die Sprache des Bebop mit seinem Instrument auf, womit er die Bewunderung von Dizzy Gillespie und Charlie Parker gewann. Nachdem er bei Miles Davis‘ erster Blue Note-Session gespielt hatte, leitete Johnson 1953–54 mehrere Sessions, die auf der 12-inch-LP „The Eminent Jay Jay Johnson, Vol. 1“ mit Clifford Brown, Charles Mingus u.a. zusammengefasst wurden.\u003c\/p\u003e\u003cp\u003eBLUE NOTE CLASSIC VINYL EDITION: Mono, komplett analog von Kevin Gray von den Originalbändern gemastert, Optimal-Pressung (180 g), wattierte Innenhülle.\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eA1 Turnpike 4:14\u003c\/p\u003e\u003cp\u003eA2 Lover Man 3:51\u003c\/p\u003e\u003cp\u003eA3 Get Happy 4:52\u003c\/p\u003e\u003cp\u003eA4 Sketch 1 4:23\u003c\/p\u003e\u003cp\u003eA5 Capri 3:38\u003c\/p\u003e\u003cp\u003eB1 Jay 3:38\u003c\/p\u003e\u003cp\u003eB2 Old Devil Moon 3:49\u003c\/p\u003e\u003cp\u003eB3 It's You Or No One 4:04\u003c\/p\u003e\u003cp\u003eB4 Too Marvelous For Words 3:36\u003c\/p\u003e\u003cp\u003eB5 Coffee Pot 4:07\u003c\/p\u003e","brand":"J.J. Johnson","offers":[{"title":"OS","offer_id":53630489690497,"sku":"500460001","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/8923\/0533\/files\/Jay-Jay-Johnson_The-Eminent-Jay-Jay-Johnson-Vol-1_Blue-Note-Classic-Vinyl_s500460_o1564041_a357917_v7271133.3de027ed_8fab6dc4-bce5-4312-8bb9-202f53e33f8b.jpg?v=1744555755"},{"product_id":"j-j-johnson-the-eminent-jay-jay-johnson-vol-2-110108","title":"The Eminent Jay Jay Johnson, Vol. 2","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eJ. J. Johnson gilt als der erste Musiker, dem es gelang, die Sprache des Bebop auf der Posaune zu artikulieren. Nachdem er 1952 an der ersten Blue-Note-Session von Miles Davis mitgewirkt hatte, aus der das Album \"Young Man \u003c\/span\u003e\u003cspan class=\"cf0\"\u003ewith\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e a Horn\" hervorging, ermöglichte der Produzent Alfred Lion dem Posaunisten, zwischen 1953 und 1955 mit anderen Größen des Bebop eine Reihe von Aufnahmesessions unter eigenem Namen zu machen. Diese erschienen 1956 auf den beiden 12-Zoll-Compilations \"The Eminent Jay \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eJay\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Johnson, Vol. 1\" und \"The Eminent Jay \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eJay\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Johnson, Vol. 2\". \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eLetzere\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e enthält laut \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eAllMusic\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e \"einige der besten Bebop-Aufnahmen jener Zeit\". \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eBLUE NOTE CLASSIC VINYL EDITION: Mono, Mastering von Kevin Gray, bei Optimal auf 180g-Vinyl gepresst, im Single-\u003c\/span\u003e\u003cspan class=\"cf0\"\u003eSleeve\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf0\"\u003eThe Eminent Jay \u003c\/span\u003e\u003cspan class=\"cf0\"\u003eJay\u003c\/span\u003e\u003cspan class=\"cf0\"\u003e Johnson, Vol. 2 (1953\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e–55)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eA1. ‘\u003c\/span\u003e\u003cspan class=\"cf1\"\u003eDaylie\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e’ Double\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eA2. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ePennies\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eFrom\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Heaven\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eA3. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eYou're\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Mine \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eYou\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eA4. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eTurnpike\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e (Alternate Master)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eA5. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eIt\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eCould\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Happen \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eTo\u003c\/span\u003e \u003cspan class=\"cf1\"\u003eYou\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eB1. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eGroovin\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e'\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eB2. Portrait \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eOf\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e Jennie \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eB3. \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eViscosity\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eB4. Time After Time\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eB5. Capri (Alternate Master)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eJ.J. Johnson (\u003c\/span\u003e\u003cspan class=\"cf1\"\u003etrombone\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e); Clifford Brown (\u003c\/span\u003e\u003cspan class=\"cf1\"\u003etrumpet\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e); Hank \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eMobley\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e (\u003c\/span\u003e\u003cspan class=\"cf1\"\u003etenor\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esax\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e); \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"cf1\"\u003eJimmy Heath (\u003c\/span\u003e\u003cspan class=\"cf1\"\u003etenor\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e \u0026amp; \u003c\/span\u003e\u003cspan class=\"cf1\"\u003ebaritone\u003c\/span\u003e \u003cspan class=\"cf1\"\u003esax\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e); Horace \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eSilver\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e, John Lewis, Wynton Kelly (piano); \u003c\/span\u003e\u003cspan class=\"cf1\"\u003eSabu\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e (\u003c\/span\u003e\u003cspan class=\"cf1\"\u003econgas\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e); Charles Mingus, Paul Chambers, Percy Heath (bass); Kenny Clarke (\u003c\/span\u003e\u003cspan class=\"cf1\"\u003edrums\u003c\/span\u003e\u003cspan class=\"cf1\"\u003e)\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"J.J. Johnson","offers":[{"title":"OS","offer_id":55081937633665,"sku":"519797000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/8923\/0533\/files\/J-J-Johnson_The-Eminent-Jay-Jay-Johnson-Vol-2_Blue-Note-Classic-Vinyl_s519797_o7870445_a606731_v13746161.1abb28e2.png?v=1765544681"}],"url":"https:\/\/www.bravado.de\/collections\/j-j-johnson.oembed","provider":"Bravado","version":"1.0","type":"link"}