{"title":"Avantgarde Vinyl","description":"","products":[{"product_id":"luc-ferrari-konstantin-simonovitch-luc-ferrari-presque-rien-nr-1-societe-ii-111554","title":"Luc Ferrari: Presque Rien Nr.1; Societé II","description":"\u003cp\u003eAlbum #1 in the brand new vinyl series featuring pioneering recordings from the musical avant-garde.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLuc Ferrari’s \u003cem\u003ePresque Rien No. 1\u003c\/em\u003e and \u003cem\u003eSociété II \u003c\/em\u003estand among the most radical works of the twentieth-century avant-garde. With Presque Rien No. 1 (Daybreak at the Seaside), Ferrari pioneered the use of untreated environmental recordings as complete musical material — capturing the sounds of a Croatian fishing village at dawn to create what he called a “soundscape.” Stripped of manipulation or conventional composition, it marked a decisive shift toward sonic minimalism and ecological listening, influencing generations of experimental artists.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eIn stark contrast, Société II (And if the piano were a woman’s body), scored for piano, percussion, and ensemble, embodies Ferrari’s politically charged, theatrical side. Written amid the social upheavals of the late 1960s, it stages a feminist allegory in which performers vie for dominance, blending structure, improvisation, and satire.\u003cbr \/\u003eMastered \u0026amp; cut from the original analogue ¼ inch 2-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLimited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide 1\u003cbr \/\u003e1. L. Ferrari: Presque Rien No. 1 (Lever du Jour au Bord de la Mer)\u003c\/p\u003e\u003cp\u003eSide 2\u003cbr \/\u003e1. L. 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In Quatrain, scored for clarinet, violin, cello, piano, and orchestra, Takemitsu evokes the Japanese concept of ma—the space between things—through fluid shifts of timbre and atmosphere. He likened the work to an emaki, a picture scroll unfolding scene by scene, where each musical idea is independent yet interwoven.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eA Flock Descends into the Pentagonal Garden, inspired by a dream, expands these ideas into a circular, non-linear sound world. Its “flock” motif, first heard in the oboe, descends into a shimmering harmonic field created by the strings—the “garden.” Here, Takemitsu’s sense of time and space becomes immersive and cyclical rather than progressive.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eMixed \u0026amp; cut from the original analogue 1 inch 8-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLimited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eTracklisting:\u003cbr \/\u003eSide 1\u003cbr \/\u003e1. Takemitsu: Quatrain\u003c\/p\u003e\u003cp\u003eSide 2\u003cbr \/\u003e1. 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Combining electroacoustic tape material created at WDR with acoustic performances on roughly 200 graphic-score cards, it embodies Kagel’s idea of ‘instrumentales Theater’ — where sound, gesture, and performer presence merge into a single dramatic and musical act. The work explores an expanded field of musicality, using invented instruments and found objects to free sound from traditional performance conventions.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eBeyond its avant-garde innovations, Acustica reflects Kagel’s anarchic and deeply human vision. Its multitude of global sound sources mirrors the diversity of his Buenos Aires upbringing, transforming chaos into playful order and highlighting the autonomy of each performer within a collective whole. Through Acustica, Kagel forged a uniquely Latin American response to the European avant-garde: a vivid, democratic sound-world of invention and humanity.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eMastered \u0026amp; cut from the original analogue ¼ inch 2-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLimited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide 1\u003cbr \/\u003e1. Kagel: Erster Teil [Acustica]\u003c\/p\u003e\u003cp\u003eSide 2\u003cbr \/\u003e1. Kagel: Zweiter Teil [Acustica]\u003c\/p\u003e\u003cp\u003eSide 3\u003cbr \/\u003e1. Kagel: Dritter Teil [Acustica]\u003c\/p\u003e\u003cp\u003eSide 4\u003cbr \/\u003e1. 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With Presque Rien No. 1 (Daybreak at the Seaside), Ferrari pioneered the use of untreated environmental recordings as complete musical material — capturing the sounds of a Croatian fishing village at dawn to create what he called a “soundscape.” Stripped of manipulation or conventional composition, it marked a decisive shift toward sonic minimalism and ecological listening, influencing generations of experimental artists.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eIn stark contrast, Société II (And if the piano were a woman’s body), scored for piano, percussion, and ensemble, embodies Ferrari’s politically charged, theatrical side. Written amid the social upheavals of the late 1960s, it stages a feminist allegory in which performers vie for dominance, blending structure, improvisation, and satire.\u003c\/p\u003e\u003cp\u003eVinyl mixed \u0026amp; cut from the original analogue 1 inch 8-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLimited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide 1\u003cbr \/\u003e1. L. Ferrari: Presque Rien No. 1 (Lever du Jour au Bord de la Mer)\u003c\/p\u003e\u003cp\u003eSide 2\u003cbr \/\u003e1. L. 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Combining electroacoustic tape material created at WDR with acoustic performances on roughly 200 graphic-score cards, it embodies Kagel’s idea of ‘instrumentales Theater’ — where sound, gesture, and performer presence merge into a single dramatic and musical act. The work explores an expanded field of musicality, using invented instruments and found objects to free sound from traditional performance conventions.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eBeyond its avant-garde innovations, Acustica reflects Kagel’s anarchic and deeply human vision. Its multitude of global sound sources mirrors the diversity of his Buenos Aires upbringing, transforming chaos into playful order and highlighting the autonomy of each performer within a collective whole. Through Acustica, Kagel forged a uniquely Latin American response to the European avant-garde: a vivid, democratic sound-world of invention and humanity.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eVinyl mixed \u0026amp; cut from the original analogue 1 inch 8-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.\u003c\/p\u003e\u003cp\u003eLimited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eSide 1\u003cbr \/\u003e1. Kagel: Erster Teil [Acustica]\u003c\/p\u003e\u003cp\u003eSide 2\u003cbr \/\u003e1. Kagel: Zweiter Teil [Acustica]\u003c\/p\u003e\u003cp\u003eSide 3\u003cbr \/\u003e1. Kagel: Dritter Teil [Acustica]\u003c\/p\u003e\u003cp\u003eSide 4\u003cbr \/\u003e1. 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In Quatrain, scored for clarinet, violin, cello, piano, and orchestra, Takemitsu evokes the Japanese concept of ma—the space between things—through fluid shifts of timbre and atmosphere. He likened the work to an emaki, a picture scroll unfolding scene by scene, where each musical idea is independent yet interwoven.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eA Flock Descends into the Pentagonal Garden, inspired by a dream, expands these ideas into a circular, non-linear sound world. Its “flock” motif, first heard in the oboe, descends into a shimmering harmonic field created by the strings—the “garden.” Here, Takemitsu’s sense of time and space becomes immersive and cyclical rather than progressive.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eVinyl mixed \u0026amp; cut from the original analogue 1 inch 8-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eLimited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eTracklisting:\u003cbr \/\u003eSide 1\u003cbr \/\u003e1. Takemitsu: Quatrain\u003c\/p\u003e\u003cp\u003eSide 2\u003cbr \/\u003e1. 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In addition, all three titles are also available as high-resolution downloads (192 kHz\/24 bit), as well as an Avantgarde T-shirt. The unisex T-shirt with a medium fit is made of 100% cotton (70% organic cotton, 30% recycled cotton) and features an elegant print, available in 4 sizes. \u003c\/p\u003e\n\u003cp\u003e\u003cbr \/\u003e\u003ca href=\"https:\/\/store.deutschegrammophon.com\/products\/luc-ferrari-luc-ferrari-presque-rien-nr-1-societe-ii-111809\" target=\"_blank\" rel=\"noopener\"\u003eLuc Ferrari: Presque Rien Nr.1; Societé II\u003c\/a\u003e\u003cbr \/\u003e\u003ca href=\"https:\/\/store.deutschegrammophon.com\/products\/mauricio-kagel-kolner-ensemble-fur-neue-musik-kagel-acustica-111815\" target=\"_blank\" rel=\"noopener\"\u003eKagel: Acustica\u003c\/a\u003e\u003cbr \/\u003e\u003ca href=\"https:\/\/store.deutschegrammophon.com\/products\/seiji-ozawa-boston-symphony-orchestra-ensemble-tashi-takemitsu-quatrain-a-flock-descends-into-the-pentagonal-garden-111820\" target=\"_blank\" rel=\"noopener\"\u003eTakemitsu: Quatrain; A Flock Descends Into The Pentagonal Garden\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAll recordings were mastered and cut purely analog from the original master tapes by Emil Berliner Studios; produced at Pallas on 180g vinyl.\u003c\/p\u003e","brand":"Luc Ferrari, Mauricio Kagel \u0026 Seiji Ozawa","offers":[{"title":"S","offer_id":55346241012097,"sku":"520583001","price":149.99,"currency_code":"EUR","in_stock":false},{"title":"M","offer_id":55346241044865,"sku":"520583002","price":149.99,"currency_code":"EUR","in_stock":false},{"title":"L","offer_id":55346241077633,"sku":"520583003","price":149.99,"currency_code":"EUR","in_stock":false},{"title":"XL","offer_id":55346241110401,"sku":"520583004","price":149.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/8923\/0533\/files\/Luc-Ferrari_Avantgarde-Series-Premium-Package_1LP-1LP-2LP-3-Hi-Res-DL-T-Shirt_s520583_o7945101_a619375_v13808826.45d7c330.png?v=1773154439"},{"product_id":"cornelius-cardew-the-scratch-orchestra-cornelius-cardew-the-great-learning-118492","title":"Cornelius Cardew: The Great Learning","description":"\u003cdiv\u003eAmong the 24 albums that comprise the original release of Deutsche Grammophon’s Avant-Garde series, issued between 1968 and 1971, the Scratch Orchestra’s performance of “Paragraph 2 \u0026amp; 7” of the English composer Cornelius Cardew’s “The Great Learning” remains among the most beloved and enduringly complex.\u003c\/div\u003e\n\u003cdiv\u003eIn 1958, following the completion of his studies at the Royal Academy of Music in London, Cardew moved to Cologne, acting as an assistant to Karlheinz Stockhausen at the Studio for Electronic Music at Westdeutscher Rundfunk (WDR).\u003c\/div\u003e\n\u003cdiv\u003eJohn Tilbury has said that with both the Scratch Orchestra and “The Great Learning” Cardew’s aims were “to transcend the most fundamental precepts of Western Art and in particular that of the artist as aristocrat. 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As the hippie trail threaded its way across the globe, sitars, gongs, bamboo flutes, gamelans and tuned percussion increasingly found their way into popular and avant-garde music from Europe and the US.\u003c\/div\u003e\n\u003cdiv\u003eExotica – utilizing more than 200 instruments from around the globe – plays like a joyous comedy in five acts. 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As the hippie trail threaded its way across the globe, sitars, gongs, bamboo flutes, gamelans and tuned percussion increasingly found their way into popular and avant-garde music from Europe and the US.\u003c\/div\u003e\n\u003cdiv\u003eExotica – utilizing more than 200 instruments from around the globe – plays like a joyous comedy in five acts. 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As such, Cybernetics III anticipated vast shifts in creative thinking.\u003c\/div\u003e\n\u003cdiv\u003eMastered \u0026amp; cut from the original analogue ¼ inch 2-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLimited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTracklisting:\u003c\/div\u003e\n\u003cdiv\u003eSide 1\u003c\/div\u003e\n\u003cdiv\u003e1.Kayn: Cybernetics III\u003c\/div\u003e\n\u003cdiv\u003eSide 2\u003c\/div\u003e\n\u003cdiv\u003e1.Nono: Contrappunto dialettico alla mente\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Nino Antonellini, Roland Kayn, Coro da Camera della RAI, Roma \u0026 Marino Zuccheri","offers":[{"title":"OS","offer_id":55810399666561,"sku":"523793000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/8923\/0533\/files\/Nino-Antonellini_Roland-Kayn-Cybernetics-III-Luigi-Nono-Contrappunto-dialettico-alla-mente_Avantgarde-Vinyl-Series-6-1LP_s523793_o8185098_a646792_v13929593.72a70fdd.png?v=1781696233"},{"product_id":"nino-antonellini-roland-kayn-coro-da-camera-della-rai-roma-marino-zuccheri-roland-kayn-cybernetics-iii-luigi-nono-contrappunto-dialettico-alla-mente-118521","title":"Roland Kayn: Cybernetics III \/ Luigi Nono: Contrappunto dialettico alla mente","description":"\u003cdiv\u003eAlbum #6 in the brand new vinyl series featuring pioneering recordings from the musical avant-garde.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLuigi Nono (1924–1990) was widely celebrated for his entire career. 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