{"title":"Max Roach","description":null,"products":[{"product_id":"max-roach-moon-faced-and-starry-eyed","title":"Moon-Faced And Starry-Eyed","description":"\u003cp\u003eRoach’s solid group featuring Ray Bryant, Julian Priester, and Stanley and Tommy Turrentine are joined by the great Abbey Lincoln on vocals for two tracks, “Never Leave Me” and Cole Porter’s “I Concentrate On You.” A fantastic and often overlooked album, this is the first US reissue since the album’s release in 1960.\u003c\/p\u003e\n\n\u003cp\u003eVERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing\/Detroit, gatefold sleeve.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003eMoon-Faced and Starry-Eyed (1959)\u003c\/p\u003e\n\n\u003cp\u003eA1. You\u0026#039;re Mine, You\u003cbr \/\u003e\nA2. Come Rain Or Come Shine\u003cbr \/\u003e\nA3. Wild Is The Wind\u003cbr \/\u003e\nA4. Speak Low\u003cbr \/\u003e\nA5. I Concentrate On You\u003cbr \/\u003e\nA6. Moon Faced, Starry Eyed\u003cbr \/\u003e\nB1. Never Let Me Go\u003cbr \/\u003e\nB2. Namely You\u003cbr \/\u003e\nB3. Never Leave Me\u003c\/p\u003e\n\n\u003cp\u003eMax Roach – drums \/ Tommy Turrentine – trumpet \/ Julian Priester – trombone \/ Stanley Turrentine – tenor saxophone \/ Ray Bryant – piano \/ Bob Boswell – bass \/ Abbey Lincoln – vocals (tracks A5 \u0026amp; B3)\u003c\/p\u003e\n","brand":"Max Roach","offers":[{"title":"OS","offer_id":53641841836417,"sku":"505578000","price":24.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/8923\/0533\/files\/Max-Roach_Moon-Faced-And-Starry-Eyed_Vinyl_s505578_o2302907_a412301_v11411028.651bda72.jpg?v=1744557655"},{"product_id":"booker-little-booker-little-4-max-roach","title":"Booker Little 4 \u0026 Max Roach","description":"\u003cp\u003eSales Text (E) Trumpeter Booker Little made only a few albums during his tragically short life including his astounding debut “Booker Little 4 \u0026amp; Max Roach” recorded in 1958 for United Artists. Little came to prominence in Max Roach’s band and the drummer joins him here along with George Coleman, Tommy Flanagan, and Art Davis.\u003c\/p\u003e\u003cp\u003eBLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket.\u003cbr \/\u003e\u003cbr \/\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr \/\u003eBooker Little 4 \u0026amp; Max Roach (1959)\u003cbr \/\u003e\u003cbr \/\u003eA1. Milestones\u003cbr \/\u003eA2. Sweet And Lovely\u003cbr \/\u003eA3. Rounder\u0026#039;s Mood\u003cbr \/\u003eB1. Dungeon Waltz\u003cbr \/\u003eB2. Jewel\u0026#039;s Tempo\u003cbr \/\u003eB3. Moonlight Becomes You\u003cbr \/\u003e\u003cbr \/\u003eBooker Little (trumpet); Max Roach (drums); George Coleman (tenor sax); Tommy Flanagan (piano); Art Davis (bass)\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Booker Little","offers":[{"title":"OS","offer_id":53642033758593,"sku":"509292000","price":39.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/8923\/0533\/files\/Booker-Little_Booker-Little-4-Max-Roach_Tone-Poet-Vinyl_s509292_o5044802_a466940_v12113095.ce91a299_366e6fb7-ce7e-410f-aa88-ed7d5e261841.jpg?v=1740784427"},{"product_id":"clifford-brown-max-roach-a-study-in-brown-105882","title":"A Study In Brown","description":"\u003cp\u003eAlthough Clifford Brown and Max Roach\u0026#039;s joint quintet had a relatively short lifespan, the importance of this ensemble for the further development of jazz cannot be overestimated. Within the approximately one and a half years that it existed, it initiated the transition from bebop to hard bop. When the quintet made its first recording sessions in the studio in August 1954, the definitive line-up had been found with tenor saxophonist Harold Land, pianist Richie Powell, and bassist George Morrow, with whom they recorded several groundbreaking albums. \u0026#34;Study In Brown\u0026#34; was recorded in New York in February 1955 and consisted – with the exception of the standards \u0026#34;Cherokee,\u0026#34; \u0026#34;If I Love Again,\u0026#34; and \u0026#34;Take The A Train\u0026#34; – of original compositions by Brown, Land, and Powell, some of which, such as \u0026#34;Sandu\u0026#34; and \u0026#34;Land\u0026#039;s End,\u0026#34; became standards in their own right.\u003c\/p\u003e\u003cp\u003eVERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklist\u003c\/p\u003e\u003cp\u003eA1 Cherokee\u003cbr \/\u003eA2 Jacqui \u003cbr \/\u003eA3 Swingin\u0026#039; \u003cbr \/\u003eA4 Lands End\u003c\/p\u003e\u003cp\u003eB1 George\u0026#039;s Dilemma \u003cbr \/\u003eB2 Sandu \u003cbr \/\u003eB3 Gerkin For Perkin \u003cbr \/\u003eB4 If I Love Again \u003cbr \/\u003eB5 Take The A Train\u003c\/p\u003e","brand":"Clifford Brown \u0026 Max Roach","offers":[{"title":"OS","offer_id":54751010554241,"sku":"134730000","price":37.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/8923\/0533\/files\/Clifford-Brown-Max-Roach_A-Study-In-Brown_Acoustic-Sounds-Vinyl_s134730_o201217_a297644_v12055277.78e7bf8a.jpg?v=1757932973"},{"product_id":"clifford-brown-max-roach-clifford-brown-max-roach-106859","title":"Clifford Brown \u0026 Max Roach","description":"\u003cp\u003eRecorded in late 1954 and early 1955, this set marks the pinnacle of what some called the \u0026#34;most definitive bop group of the era\u0026#34; until Clifford Brown\u0026#039;s fatal car accident in 1956. The second of four albums Brown and Max Roach made together, Clifford Brown \u0026amp; Max Roach enlisted the duties of Harold Land (tenor saxophone) with Richie Powell (piano) and George Morrow (bass) solidifying the rhythm section around Roach. Brown\u0026#039;s compositions \u0026#34;The Blues Walk,\u0026#34; \u0026#34;Joy Spring,\u0026#34; and \u0026#34;Daahoud\u0026#34; are spotlighted as some of the finest in hard bop, with notable mentions of Bud Powell\u0026#039;s \u0026#34;Parisian Thoroughfare\u0026#34; and Duke Jordan\u0026#039;s \u0026#34;Jordu.\u0026#34;\u003c\/p\u003e\u003cp\u003eVERVE ACOUSTIC SOUNDS SERIES: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eA1. Delilah\u003cbr \/\u003eA2. Parisian Thoroughfare\u003cbr \/\u003eA3. 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The inclusion of vocalist Abbey Lincoln — Roach\u0026#039;s artistic and political partner at the time — adds urgency and emotional power to the project\u0026#039;s most pointed statements.\u003c\/p\u003e\u003cp\u003eWhile not formally structured as a suite, the album\u0026#039;s six tracks move fluidly between spiritual lament, militant swing, and improvisational abstraction. The opening piece, \u0026#34;Garvey’s Ghost,\u0026#34; sets the tone with Afro-Caribbean rhythmic undercurrents, while \u0026#34;Mendacity\u0026#34; takes aim at hypocrisy with biting horn lines and Lincoln\u0026#039;s dramatic delivery. Elsewhere, \u0026#34;Mama\u0026#34; and \u0026#34;Praise for a Martyr\u0026#34; explore personal and collective grief through dynamic interplay and modal intensity. \u003c\/p\u003e\u003cp\u003eVerve Vault Series: Cut and mastered by Ryan K. Smith at Sterling Sound from the original analog tapes and pressed on 180-gram vinyl by Optimal. Gatefold sleeve with iconic original artwork.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eTracklisting:\u003c\/p\u003e\u003cp\u003eA1. Garvey\u0026#039;s Ghost\u003cbr \/\u003eA2. Mama\u003cbr \/\u003eA3. Tender Warriors\u003cbr \/\u003eB1. Praise For A Martyr\u003cbr \/\u003eB2. Mendacity\u003cbr \/\u003eB3. 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